Midas have been designing and manufacturing live performance mixing consoles for the world's most demanding sound engineers, performers and production rental companies since the early 1970s. Raising the standards of sonic quality through control functionality and user-friendly desk operation, they anticipate and accommodate the rapidly changing and expanding needs of audio professionals who specify Midas consoles for their major tours, festivals, international events, broadcast projects and prestigious fixed installations.

Venice

Venice is Midas' first truly compact console built in direct response to customer demand. It does exactly what was asked in that it provides a high quality alternative in a huge number of applications where previously Midas was not an option. These range from smaller conference or live band applications, to effects returns or additional inputs in a large multi-console application, or indeed as part of a small complete mobile system. It also provides the perfect feature set for live acts who need to mix their own FOH and monitor sound from on-stage, and is compact and light enough to fit on even the most cramped performance area. As usual, Midas has paid attention to the details that set their consoles apart taking care to provide high quality mic preamps and a stable, responsive EQ section, just as they do on their larger consoles. The simple but intuitive outputs make the overall configuration of the console extremely quick.

Frames: 160, 240, 320
(VENICE 160 will fit in a 19" rack and is shipped including the rack-mounting kit.)
EQ: 4 band sweepable
Direct Output
6 Mix Sends
4 Audio Sub Groups
2 stereo masters

Configuration Data
160 - 8 mono 4 stereo
568mm × 490mm 22.4" × 19.3" 16.4kg 36.2lbs
240 - 16 mono/4 stereo
568mm × 698mm 22.4" × 27.5" 21.1kg 46.5lbs
320 - 24 mono/4 stereo
568mm × 906mm 22.4" × 35.7" 25.8kg 56.9lbs
Weights are approximate and out of flight case

Verona

The Verona is an all purpose FOH, Monitor or FOH and Monitor Hybrid console that is quickly and easily configurable. Each mono input channel offers microphone and line inputs, direct output and insert points and four band sweep equaliser stage. In addition the Verona has a flexible buss structure allowing the engineer to mix in stereo or LCR. The Verona, also allows the user to route to any of 20 other busses (8 Auxiliary Busses, 8 Group Busses and 4 Matrix Busses) for even the most demanding application.

Frames: 240, 320, 400, 480, 560 and 640
EQ: 4 band
Channel Inserts: front panel switchable
SIS panning
8 Audio subgroups
8 Aux outputs
4 Mute groups
8 Multi function channels
12 × 4 matrix
Internal PSUs
External PSU available as option and one standard on Verona 640

Configuration Data
Verona 240 - 24 mic inputs
782mm × 1085mm 30.76" × 42.72" 45kg/99.23lbs
Verona 320 - 32 mic inputs
782mm × 1327mm 30.76" × 52.24" 55kg/121.25lbs
Verona 400 - 40 mic inputs
782mm × 1569mm 30.76" × 61.78" 65kg/143.30lbs
Verona 480 - 48 mic inputs
782mm × 1811mm 30.76" × 71.30" 75kg/165.34lbs
Verona 560 - 56 mic inputs
782mm × 2053mm 30.76" × 80.83" 85kg/187.39lbs
Verona 640 - 64 mic inputs
782mm × 2295mm 30.76" × 90.35" 95kg/209.44lbs
Weights are approximate and out of flight case

Siena

The Siena is an all purpose Monitor or Monitor/Front of House (FOH) hybrid console that is quickly and easily configurable.
Available in 24, 32, 40, 48, 56 and 64 input channel frame sizes, each mono input channel offers microphone and line inputs with four band swept equaliser, direct output and insert send/return. In addition to a master stereo bus, each channel may be assigned onto the console's 16 mix sends, configurable for mono or stereo operation, and featuring independent pre/post switching, level/level or level/pan control.

The Midas design pedigree has been founded upon a track record of achieving a unique working relationship with premier sound engineers around the world who respect and endorse there proven technology.